Seven years after the debut of the original fp, Sigma has officially announced the FP2, marking a significant evolution of its minimalist, modular cinema camera line. While retaining the distinctive brick-shaped design that made the first model a favorite among guerrilla filmmakers and rig builders, nearly every internal component has been reengineered. At the heart of the FP2 is a new 24.5-megapixel full-frame sensor featuring a partially stacked architecture, designed to improve readout speed and reduce rolling shutter—a critical advancement for creators shooting fast motion or handheld footage.

One of the most notable upgrades is the introduction of 6K open gate recording, which utilizes the full sensor width for an expanded field of view, ideal for reframing in post or capturing immersive visuals without cropping. This capability positions the FP2 as a strong contender for creators who prioritize flexibility in composition and aspect ratio, especially when working with anamorphic lenses or vertical formats for social media. Alongside this, Sigma has replaced the original fp’s CinemaDNG workflow with Apple ProRes RAW, offering better compatibility with mainstream editing platforms like Final Cut Pro, DaVinci Resolve, and Adobe Premiere Pro while maintaining high fidelity and flexibility in color grading.

The FP2 also introduces a tilting touchscreen—a first for the series—enhancing usability for low-angle, high-angle, and self-recorded shots, a welcome addition for solo creators and vloggers transitioning into cinematic work. Though specific pricing and release details were not included in the announcement, the update signals Sigma’s continued commitment to bridging the gap between stills and video in a compact, open-ecosystem form factor. For hybrid creators seeking a lightweight, modular platform with professional video capabilities, the FP2 represents a meaningful step forward from its cult-classic predecessor.