Adobe has unveiled a beta update to Premiere Pro that shifts color grading away from the traditional lift/gamma/gain model toward a zone-based system. This change is designed to better handle the demands of modern log and HDR workflows, where image data extends far beyond the limited range of Rec.709. The new Color Mode organizes adjustments into tonal zones rather than broad shadow, midtone, and highlight bands, allowing for more nuanced control over contrast and color across the image spectrum.

For creators working with cinema cameras that output log footage—such as Sony S-Log, Canon Log, or Arri LogC—the legacy lift/gamma/gain approach often proves too coarse. Those controls were built for standard dynamic range material where tonal transitions are smoother and less extreme. In log, where highlights and shadows contain critical detail that must be carefully pulled into view, finer segmentation becomes essential. The zone-based method addresses this by letting editors target specific exposure ranges with greater accuracy.

This update reflects Adobe’s response to evolving creator needs, especially as more independent filmmakers and content creators adopt professional-grade cameras and HDR delivery standards. By moving beyond the three-way model, Premiere aims to reduce reliance on external color grading suites like DaVinci Resolve for primary corrections, keeping more of the workflow inside the NLE. The beta is now available for testing, with Adobe inviting feedback from users before a potential wider rollout. Creators are encouraged to try the new controls with their log footage and report on usability and performance.